BlackThe brilliance of a non-color
Black
The brilliance of a non-color
Translated by Susan Spitzer
Who has not had the frightening experience of stumbling around in the pitch black? As a child, Alain Badiou went through it when he, along with friends, made up a game called “On the stroke of midnight.” The furtive discovery of the dark continent of sex in banned magazines, the beauty of black ink on paper, but also the mysteries of the universe and the grief of mourning: these are some of the things we encounter as the philosopher takes us on a trip through the private theater of his mind, at the whim of his memories. Music, painting, politics, sex, and metaphysics: all contribute to making black more luminous than it has ever been.
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From Wiley.com

More Info
  • November 2016
  • 80 pages
  • 130 x 190 mm / 5 x 7 in
Available Formats
  • Hardback $45.00
  • 9781509512072
  • Open eBook $12.95
  • 9781509512119
Table of Contents

Translator’s note

Childhood and youth

Military black

The Stroke of Midnight

The black dog in the dark

The inkwell

Chalk and markers

Confusions

Early sexuality

The dialectics of black

Dialectical ambiguities

Black souls

Soulages’ ultrablack

Flags

Red and black. And white. And violet.

Stendhal: the red and the black

The dark desire of/for darkness

Clothing

The black sign

Black humor, or black vs. black

Outward appearance

Physics, biology, and anthropology

The metaphorical black of the Cosmos

The secret blackness of plants

Animal black

An invention of white people

About the Author
Alain Badiou is a writer, philosopher and an Emeritus Professor at the École normale supérieure, Paris.
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Reviews

"Badiou’s Black is a singular and remarkable book.  This is not the Badiou of ontology, set theory and the theorization of subjectivity, nor the Badiou of incisive political intervention or philosophical-historical summation.  Working through a series of ficto-critical vignettes,  Black is composed of subtle and diverse meditations on black as a darkness that obscures at the same time as it discloses. Black at once hearkens back to a style of personal philosophy that seemed lost with Blanchot, while also looking forward to a new mode of singular meditation that is perhaps necessary for twenty-first-century thought."
Claire Colebrook, Penn State University

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